Actually better than the earlier version
For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.
The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.
The story--lawyers will hate...
Victorian Mystery
I caught the first two hours of this adaptation of Dickens Bleak House on Masterpiece Theatre on Sunday night and I was immediately hooked. If you love dark Victorian mysteries this is a must see. I remember hearing promos for the show stating its starring Gillian Anderson but I thought it was some English actress with the same name as Scully from the X-files. What a shock when I realized I watched Scully for I did not realize it at the time it was her. Ms. Anderson becomes Lady Dedlock replacing her FBI professional pant suits outfits for a Victorian frock. Although common elements to both characters are repressed emotions and icy personalities. I have not read the novel but the show is emphasizing the mystery aspects of the story with Lady Dedlock trying to hide a secret from her past, how everybody's fate is somehow bound into the Jarndyce case over disputed wills and what role if any Esther plays in all of this. Also, the series focuses a sharp eye on the byzantine legal world of...
Deadlock. Debtor's Prison. Dickens!
A simply magnificent production of Dickens. Read the Amazon editorial review above, I agree with all of it.
Dickens can be difficult to translate to film. His cartoonish drawings of his characters, both literal and literary, are the stuff of political lampoon. And he IS interested in politics; the politics of class, culture, the legal system, and how his characters are trapped in them, by situation, and by their own human choices. His characters and story lines are so intricate that they must have been manna for the readers of his (no tv, no film) time period, but they can sometimes be dry and dull for a modern audience.
Enter the skillfull writing of THE MASTER ADAPTOR Andrew Davies, and a production that careens and slams prison doors from one story to another, and we are briskly carried along... in this story of secrets, blackmail, and the endless wait for the legal system to do... something... anything.
As with most BBC casting, it is...
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